
Publications
Publications are listed chronologically in the following order: Books, chapters, articles & theses - CD booklets - Reviews
Las publicaciones aparecen cronolĆ³gicamente dentro de cada secciĆ³n: - Libros, capĆtulos, artĆculos y tesis- Notas para CDs - ReseƱas
ā
BOOKS, EDITIONS, CHAPTERS, ARTICLES, WEB PUBLICATIONS
ā
J. Griffiths. āBembo to Barbetta: Lutes, Lutenists and Luthiers in Cinquecento Padua.ā Musica e cultura nella Padova di Pietro Bembo. Edited by Cristina Cassia. Lucca: Libreria Musicale Italiana, 2023. 25-38
J. Griffiths. āVihuela.ā The Museum of Renaissance Music. Edited by Vincenzo Borghetti and Tim Shephard. Turnhout: Brepols, 2023. 239-242
J. Griffiths. āCifras y letras: el significado de las tablaturas.ā Cultura y mĆŗsica en la penĆnsula ibĆ©rica hasta c.1650. Edited by Eva Esteve, Francisco J. Rodilla, and John Griffiths. Iberian Early Music Series. Kassel: Reichenberger, 2023. 273-290
J. Griffiths, āVihuela en la āCoronaciĆ³n de la Virgen MarĆaā: pintura en oleo en la iglesia de San Pablo de Valladolid, procedente del monasterio de Santa Catalina de Sienaā. Hispanica Lyra 27 (2021). 35-37.
J. Griffiths. āHistorical Pedagogy and the Lute: Education to Match Aspirations.ā Teaching and Studying the Lute. International Conference Bremen 2019. Edited by John Griffiths and Sigrid Wirth. Frankfurt: Deutsche Lautengesellschaft and Lute Society of America, 2021. 1-21.
ā
J. Griffiths and S. Wirth (eds). Teaching and Studying the Lute. International Conference Bremen 2019. Frankfurt: Deutsche Lautengesellschaft and Lute Society of America, 2021. (Available as an e-book from Amazon).
Luis de NarvƔez. Los seys libros del Delphin, Valladolid 1538. Edited by John Griffiths. Paris: Le Luth DorƩ, 2021.
ā
J. Griffiths, āFrancesco at Fiftyā. Lute Society of America Quarterly 55.1-2 (2020): 24-25
J. Griffiths, āEarly Vihuelas, Iconography, Organology, Theory and Practice.ā Musiques-Images-Instruments: MĆ©langes en lāhonneur de Florence GĆ©treau. Edited by Yves Balmer, A. Framboisier, F. Guilloux, and C. Massip. Turnhout: Brepols, 2019.
ā
J. Griffiths, āIntroductionā. Luis de NarvĆ”ez, Los seys libros del Delphin de mĆŗsica para vihuela. Edited by Juan M. Nieto. Madrid: Sociedad de la Vihuela, 2019.
ā
J. Griffiths. GuƔrdame las vacas. Las trece versiones para instrumentos de tecla, vihulea y guitarra que se conservan en fuentes espaƱolas del siglo XVI. Valladolid: Contrapunto, 2018. http://contrapunto.uva.es/ediciones-musicales
J. Griffiths and Paul Kieffer. āLute, Vihuela, and Early Guitar.ā Oxford Bibliographies in Music. Ed. Kate van Ordern. New York: Oxford University Press, 29 November 2018. http://www.oxfordbibliographies.com/view/document/obo-9780199757824/obo-9780199757824-0251.xml
ā
J. Griffiths, āLa vihuela desde mi ordenador: la musicologĆa y las humanidades digitalesā. MusicologĆa en el siglo XXI. Nuevos retos, nuevos enfoques, ed. BegoƱa Lolo and Adela Presas. Madrid: Sociedad EspaƱola de MusicologĆa, 2018. .
ā
J. Griffiths, āHeteroclito Giancarli and his Composizione musicali of 1602ā. French Renaissance Music and Beyond. Studies in Memory of Frank Dobbins, ed. Marie-Alexis Colin. Epitome Musical. Turnhout: Brepols, 2018. 293-315.
ā
J. Griffiths. āSongs without Words: the motet as solo instrumental music after Trentā. Mapping the Motet in the post-Tridentine Era, ed. Esperanza RodrĆguez-GarcĆa and Daniele V. Filippi. New York: Routledge, 2018. 206-227.
ā
J. Griffiths, āCan Heteroclito Giancarli change the world?ā. Paper read on 5 March 2016 at the āRoger Covell 85th Birthday celebration and Symposiumā at the University of New South Wales.
ā
Andrea Rizzi and John Griffiths, āThe Renaissance of Anonymityā. Renaissance Quarterly 69.1 (2016): 200-212
ā
J. Griffiths, āSinger Songwriters, the Lute, and the Stile nuovoā. Passaggio in Italia: Music of the Grand Tour in 17th-century Italy. Turnhout: Brepols, 2015. 53-64.
ā
J. Griffiths, āĀæFantasĆa o realidad? La vihuela en las Obras de CabezĆ³nā, Anuario Musical 69 (2014): 193-214.
ā
J. Griffiths, āCantantes, cantautores y canciones en la prehistoria de la Ć³peraā. Allegro cum laude: Estudios musicolĆ³gicos en homenaje a Emilio Casares, ed. MarĆa Nagore and Victor SĆ”nchez SĆ”nchez. Madrid: Instituto Complutense de Ciencias Musicales, 2014. 85ā92.
ā
J. Griffiths, āMusicologĆa, informĆ”tica y la vihuela en el siglo XXIā. Humanidades Digitales: desafĆos, logros y perspectivas de futuro. Ed. Sagrario LĆ³pez Poza and Nieves Pena Suiero. Janus [on-line], Anexo 1 (2014). 21-36.
ā
J. Griffiths, āCatorce hijos y una sola vihuela: la familia Daza de Valladolidā. Cuadernos de mĆŗsica iberoamericana 25-26 (2013): 161-175.
ā
J. Griffiths, āThe Changing Sound of the Vihuelaā. A Musicological Gift: Libro Homenaje for Jane Morlet Hardie, edited by Kathleen Nelson and Maricarmen GĆ³mez. Lions Bay, (Canada): Institute of Mediaeval Music, 2013. 123-146.
ā
J. Griffiths, āExtremos: desarrollo y declive de la vihuelaā. Hispanica Lyra 18 (December, 2013): 15-22.
ā
M. GĆ³mez MuntanĆ© and J. Griffiths. Mateo Flecha (1481-1533?): Villancicos. Valencia: Generalitat Valenciana, SubdirecciĆ³n de Musica CulturArts, 2013
ā
J. Griffiths. āArchitecture and Rhetoric in Music in the Age of Victoriaā. Estudios. TomĆ”s Luis de Victoria. Studies. Ed. Javier SuĆ”rez-Pajares, Manuel de Sol. MĆŗsica Hispana, Textos, Estudios, 18. Madrid: Instituto Complutense de Ciencias Musicales, 2013. 231-245.
ā
J. Griffiths. āThe Music of Castrato Lutenists at the time of Caravaggioā, La Musica al tempo di Caravaggio, ed. Stefania Macioce and Enrico De Pascale. Rome: Gangemi, 2012. 87-103.
ā
J. Griffiths, āSpinacino's twelve-tone experimentā. Journal of the Lute Society of America 44 (2011): 47-76.
ā
J. Griffiths. āLas vihuelas en la Ć©poca de Isabel la CatĆ³licaā. Cuadernos de MĆŗsica Iberoamericana 20 (julio-diciembre, 2010): 7-36.
ā
J. Griffiths. āJuan Bermudo, Self Instruction and the Amateur Instrumentalistā. Music Education in the Middle Ages and the Renaissance. Ed. Russell Murray Jr, Susan Forscher Weiss, and Cynthia J. Cyrus. Bloomington: Indiana University Press, 2010. 126-137.
ā
J. Griffiths. āLa producciĆ³n de libros de cifra musical en EspaƱa durante el siglo XVIā. Hispanica Lyra 12 (2010): 10-27.
ā
J. Griffiths. āThe Alfonsine Encyclopaedia of Musicā. Imagination, Books and Community in Medieval Europe. Papers of a Conference held at the State Library of Victoria, Melbourne, Australia, 29-31 May 2008. Ed Geoffrey Kratzmann. Melbourne: Macmillan Art Publishers, 2009. 220-229.
ā
J. Griffiths. āHidalgo, merchant, poet, priest: the vihuela in the urban soundscapeā. Early Music 37.3 (2009): 355-366.
ā
J. Griffiths. āHidalgo, Mercader, sacerdote, o poeta: vihuelas y vihuelistas en la vida urbanaā. Hispanica Lyra: Revista de la Sociedad de Vihuela No 9 (May 2009): 14-25.
ā
J. Griffiths. āLuis MilĆ”nā Semblanzas de Compositores espaƱoles. Madrid: FundaciĆ³n Juan March, 2009.
ā
J. Griffiths. āVenegas, CabezĆ³n y la mĆŗsica para tecla, arpa y vihuelaā. Cinco siglos de mĆŗsica de tecla espaƱola āFive Centuries of Spanish Keyboard Music. Ed. Luisa Morales. Garrucha (AlmerĆa): AsociaciĆ³n Cultural Leal, 2007. 153-168.
ā
J. Griffiths. āEsteban Daza: Un enigma desvelado de un vihuelista espaƱolā. Hispanica Lyra: Revista de la Sociedad de Vihuela No 5 (May 2007): 8-15.
ā
J. Griffiths (ed.) Obras del manuscrito āBarbarinoā (NĆ”poles[?] c. 1580-1610) Manuscrito Ms Mus 40032 de la Biblioteca Jagiellonska de Cracovia (olim Berlin, Deutsche Staatsbibliothek). Obras para laĆŗd o vihuela de 6 o 7 Ć³rdenes. Separata Musical NĀŗ 4 of Hispanica Lyra. Madrid: Sociedad de la Vihuela, 2006.
ā
D. Fabris and J. Griffiths (eds). Cosimo Bottegari: Il libro di canto e liuto / The Song and Lute Book. Biblioteca Musica Bononiensis, Sezione IV, NĀŗ 98. Bologna: Arnaldo Forni Editore, 2006.
ā
J. Griffiths. āPrinting the Art of Orpheus: Vihuela Tablatures in Sixteenth-Century Spainā. Early Music Printing and Publishing in the Iberian World. Ed. Iain Fenlon and Tess Knighton. De Musica 11. Kassel: Edition Reichenberger, 2006. 181-214. ISBN 3-937734-38-4.
ā
J. Griffiths. āThe Two Renaissances of the Vihuela ā Los dos renacimientos de la vihuelaā. Goldberg 33 (April, 2005): 34-43.
ā
J. Griffiths and D. Fabris (eds). Neapolitan Lute Music: Fabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone. Recent Researches in Music of the Renaissance 140. Madison: A-R Editions, 2004. [xxvi + 181pp]
ā
J. Griffiths and J. SuĆ”rez-Pajares (eds). PolĆticas y PrĆ”cticas musicales en el mundo de Felipe II: Estudios sobre la mĆŗsica en EspaƱa, sus instituciones y sus territorios en la segunda mitad del siglo XVI. MĆŗsica Hispana. Madrid: Instituto Complutense de Ciencias Musicales, 2004. [571 pp]
ā
J. Griffiths. āLa vihuela en la Ć©poca de Felipe IIā. PolĆticas y PrĆ”cticas musicales en el mundo de Felipe II: Estudios sobre la mĆŗsica en EspaƱa, sus instituciones y sus territorios en la segunda mitad del siglo XVI. Ed. J. Griffiths and J. SuĆ”rez-Pajares. MĆŗsica Hispana. Madrid: Instituto Complutense de Ciencias Musicales, 2004. 415-48. IntroducciĆ³n.
ā
J. Griffiths. āLāessor et le dĆ©clin de la vihuelaā. Au origins de la guitare: la vihuela de mano. Ed. Joel Dugot. Les cahiers du MusĆ©e de la Musique, 5. Paris: MusĆ©e de la Musique, 2004. 8-15.
ā
J. Griffiths. TaƱer vihuela segĆŗn Juan Bermudo. Zaragoza: InstituciĆ³n Fernando el CatĆ³lico, 2003. [104 pp]. Click here for the Introduction in English
ā
J. Griffiths. āImprovisation and Composition in the Vihuela Songs of Luis MilĆ”n and Alonso Mudarraā. GesƤng zur Laute, ed. Nicole Schwindt. TroJa ā Trossingen Jahrbuch fĆ¼r Musikforschung 2. (Kassel: BƤrenreiter, 2003). 111-32.
ā
J. Griffiths. āStrategies for the Recovery of Guitar Music of the Early Seventeenth Centuryā. Rime e suoni alla spagnola. Atti della giornata internazionale dei studi sulla chitarra barocca. Ed Giulia Veneziano. Secoli dāoro ā Comparatistica, 33. Florence: Alinea Editrice, 2003. 59-81.
ā
J. Griffiths. āEl mĆŗsico devoto y contemplativoā. XLII Semana de MĆŗsica Religiosa de Cuenca. Cuenca: FundaciĆ³n de la Semanas de MĆŗsica Religiosa de Cuenca, 2003. 90-93.
ā
J. Griffiths. āLuis MilĆ”n, Alonso Mudarra y la canciĆ³n acompaƱadaā. Siglos de Oro 22 (2003): 7-28.
ā
J. Griffiths. āThe Transmission of Secular Polyphony in Renaissance Spain, Esteban Daza, and Rodrigo de Ceballosā. Encomium Musicae: A Festschrift in Honor of Robert J. Snow. Ed. David Crawford & G. Grayson Wagstaff. New York: Pendragon Press, 2002. 321-40.
ā
J. Griffiths. āThe Lute and the Polyphonistā. Studi Musicali 31 (2002), 71-90.
ā
J. Griffiths. ā[CristĆ³bal de Morales] En manos de los vihuelistasā, Scherzo Vol. 16 NĀŗ 147 (September, 2000): 128-30
ā
J. Griffiths. āExtremities: the Vihuela in Development and Declineā. Luths et luthistes en Occident: Actes du Colloque (Paris, CitĆ© de la Musique 13-15 mai 1998). Paris: MusĆ©e de la Musique, 1999. 51-61.
ā
J. Griffiths. āPrĆ³logoā. SoterraƱa Aguirre RincĆ³n. Un manuscrito para un convento: El Libro de MĆŗsica dedicado a Sor Luisa en 1633. Estudio y ediciĆ³n crĆtica. Valladolid: Las Edades del Hombre, 1998. 17-20.
ā
J. Griffiths. āNa dworze i w domu z vhuela da mano: Spoirzenie na instrument, jego muzyke i swiatā. Canor 21 (1998): 3-14.
ā
J. Griffiths. āMĆŗsica, vihuelas y burguesĆaā. Scherzo NĀŗ 121 (Jan/Feb 1998) 136-38.
ā
J. Griffiths. āLaĆŗdes y guitarras en las Cantigas de Santa MarĆaā. Alfonso X el Sabio impulsor del arte, la cultura y el humanismo: el arpa en la Edad Media espaƱola. Ed. MarĆa Rosa Calvo Manzano. Madrid: Arlu Ediciones, 1998. 209-224.
ā
J. Griffiths. āThe Spanishness of Spanish Musicā. Spain: A historical and Cultural Guide. Ed. C. Wood and M. McDonald. Melbourne: ASA Publications, 1997. 307-17.
ā
J. Griffiths. āThe Vihuela: performance practice, style and contextā. Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation. Ed Victor Coelho. Cambridge Studies in Performance Practice. Cambridge: CUP, 1997. 158-79. [ISBN 0 521 45528 6]
ā
J. Griffiths. Hunting the Origins of the Trecento Caccia. Gordon Athol Anderson Memorial Lecture, 12. Armidale: University of New England, 1996.
ā
J. Griffiths. āLa imprenta y el poder musical en el renacimiento espaƱolā. Revista Argentina de MusicologĆa I (1996): 6-16.
ā
J. Griffiths. āĀ”A la caza!: en busca de la caccia italiana del trecentoā. Nassarre 12, NĀŗ 2 (1996): 141-59.
ā
J. Griffiths. āEsteban Daza: a gentleman musician in Renaissance Spainā. Early Music 22 (1995): 437-48.
ā
J. Griffiths. āThe confluence of two traditions: vocal and instrumental elements in 16th-century solo instrumental musicā. Les concerts des voix et des instruments dans la musique de la Renaissance. Ed. J-M. Vaccaro. Paris: Centre Nationale de Recherche Scientifique, 1995. 639-56.
ā
J. Griffiths. āVeinte aƱos con una vihuela en las manosā. La guitarra en la historia 6 (1995). CĆ³rdoba: Ayuntamiento de CĆ³rdoba, 1995. 66-85.
ā
J. Griffiths. āEsteban Daza: Un enigma desvelado de un vihuelista espaƱolā. La enseƱanza de la lengua y cultura espaƱolas en Australia y Nueva Zelanda. Ed A. MonclĆŗs. Canberra: Embajada de EspaƱa,ConsejerĆa de EducaciĆ³n; Madrid: Iberediciones, 1993. 135-55.
ā
J. Griffiths. āThe printing of instrumental music in sixteenth-century Spainā Revista de MusicologĆa 16 (1993): 3309-21.
ā
J. Griffiths and W. E. Hultberg. āSanta Maria and the Printing of Instrumental Music in Sixteenth-Century Spainā. Livro de homenagem a Macario Santiago Kastner. Ed. Maria Fernanda Cidrais Rodrigues, Manuel Morais, Rui Veiera Nery. Lisbon: FundaƧao Calouste Gulbenkian, 1992. 345-60.
ā
J. Griffiths and V. Coelho (eds). A Renaissance Fantasy: Journal of the Lute Society of America 23 (1990).
ā
J. Griffiths. āUne fantaisie de la Renaissanceāan Introductionā. Journal of the Lute Society of America 23 (1990): 1-6.
ā
J. Griffiths. āAt Court and at Home with the vihuela de mano: Current perspectives of the Instrument, its Music and its Worldā. Journal of the Lute Society of America 22 (1989): 1-27.
ā
J. Griffiths. āMudarraās Harp Fantasy: History and Analysisā. Australian Guitar Journal 1 (1989): 19-25
ā
J. Griffiths. āLa mĆŗsica renacentista para instrumentos solistas y el gusto espaƱolā. Nassarre: Revista Aragonesa de MusicologĆa 4 (1988): 59-78.
ā
J. Griffiths. āOn Playing the Fantasiaā. Early Music New Zealand 3/1 (1987): 3-17.
ā
J. Griffiths. āBerlin Mus. MS40032 y otros nuevos hallazgos en el repertorio para vihuelaā. EspaƱa en la MĆŗsica del Occidente. Ed. Emilio Casares, JosĆ© LĆ³pez-Calo and Ismael FernĆ”ndez de la Cuesta. Madrid: Ministerio de Cultura, 1987. Vol.1, 323-324.
ā
J. Griffiths. āLa evoluciĆ³n de la fantasĆa en el repertorio vihuelĆsticoā. EspaƱa en la MĆŗsica del Occidente. Ed. Emilio Casares, JosĆ© LĆ³pez-Calo and Ismael FernĆ”ndez de la Cuesta. Madrid: Ministerio de Cultura, 1987. Vol.1, 315-322.
ā
J. Griffiths. āLa āFantasĆa que contrahaze la harpaā de Alonso Mudarra: estudio histĆ³rico-analĆticoā. Revista de MusicologĆa 9 (1986): 29-40.
ā
J. Griffiths. āLāOiseau Lyre and Australian Musicā, and āLāOiseau Lyre in the Middle Ages, Renaissance and Baroqueā. LāOiseau Lyre: The Work of Louise Hanson-Dyer and the Lyrebird Press. Melbourne: University of Melbourne, 1985. 19, 27-28.
ā
J. Griffiths. āThe Vihuela Fantasia: A Comparative Study of Forms and Stylesā. Ph.D. diss., Monash University, 1983.
ā
J. Griffiths (ed.). Esteban Daza. The Fantasias for Vihuela. Recent Researches in Music of the Renaissance, 54. Madison: A-R Editions, 1982.
ā
J. Griffiths. āThe Lutes in the Museo Municipal de MĆŗsica in Barcelonaā. Journal of the Lute Society of America 12 (1979): 48-66.
ā
J. Griffiths. āThe The Vihuela Book āEl Parnasoā by Esteban Dazaā. Studies in Music 10 (1976): 37-51.
ā
J. Griffiths. āSelected Songs from āLibro de Musica en cifras para Vihuela intitulado el Parnasoā by Esteban Daza (Valladolid, 1576)ā. BA Hons diss., Monash, 1974.
CD BOOKLETS
ā
J. Griffiths āAngels Factory, Dowland Takemitsu. Florian Larousse, guitar.ā Notes for CD, Contrastes Records, 2017. CR201701
ā
J. Griffiths. āThe Lute and Viola da mano in Naplesā. Notes for CD Il Barbarino. Musica per liuto e Viola da mano nel cinquecento italiano, AD105 Paul Kieffer (lute and viola da mano). Arcana records (https://www.outhere-music.com/en/labels/arcana), Paris: Outhere Music, 2017.
ā
J. Griffiths. āImaginary realities, Imaginary tablaturesā. Notes for CD Cifras Imaginarias, Jacob Heringman and Ariel Abramovich (vihuelas). Brussels: Arcana records (https://www.outhere-music.com/en/labels/arcana), Outhere Music, 2017
ā
J. Griffiths. āThe Lute and Viola da mano in Naplesā. Notes for CD Il Barbarino. Musica per liuto e Viola da mano nel cinquecento italiano, AD105 Paul Kieffer (lute and viola da mano). Arcana records (https://www.outhere-music.com/en/labels/arcana), Paris: Outhere Music, 2017.
ā
J. Griffiths, CD Booklet notes for Judicael Perroy, Paris Une Solitude PeuplƩe. London: Contrastes Records, 2016. (Contrastes Records CR201603. Released October 2016. ASIN B01M63YOMO)
ā
J. Griffiths, CD Booklet notes for Marko Topchii, Van Gogh Fire. Contrastes Records CR201601. Released August 2016.
ā
J. Griffiths, CD Booklet notes for Zoran Dukic, In the beginning. Contrastes Records CR201504. Released October 2015.
ā
J. Griffiths, CD Booklet notes for Rovshan Mamedkuliev, Semi Awake, Semi Dream. Contrastes Records 1201503. Released 10 July 2015.
ā
J. Griffiths, CD booklet notes for JosĆ© Antonio Escobar, Luys MilĆ”n (c.1500-c.1561) El Maestro, Libro I (1536). Naxos Records, 2015. Catalog nĀŗ 8.573305, released 2015.
ā
J. Griffiths, āVademecumā Notes for CD of the same title by Francisco Bernier. London: Contrastes Records, 2014. Catalogue no: Contrastes 1201404
ā
J. Griffiths, āAlejandro CĆ³rdova, FolĆaā. Notes for CD of the same title. Seville: Contrastes Records, 2014. UPC 748252712110.
ā
J. Griffiths, āLa Monarcha: 17th-century music from the Spanish territoriesā. Notes for CD of the same title by Cordevento (Erik Bosgraaf, Izhar Elias, Alessandro Pianu). Brilliant Classics. 94352. Leeuwarden, Netherlands, 2012.
ā
J. Griffiths, āThe early harp, CabezĆ³n and his contemporariesā. Notes for VĆ©ronique Musson-Gonneaud, CabezĆ³n: Pour un plaisir. Intabulations by Antonio de CabezĆ³n and his contemporaries. Leeuwarden, Netherlands. Brilliant Classics, 2012. Brilliant Classics 94351. Leeuwarden, Netherlands, 2012.
ā
J. Griffiths, Notes for CD āCanto y Danzaā by the Chambure vihuela quartet. Duluth MIN: Larson Music, 2011. http://www.chamburequartet.com/recordings/
ā
J. Griffiths, Notes for CD āAntonio de CabezĆ³n, Obras de mĆŗsica para tecla harpa y vihuelaā by Anne Landa. Arsis 4234. Alerre (Huesca): Arsis, 2010.
ā
J. Griffiths. Notes for La Reverencia, De Amores y locura. Madrid: TaƱidos, 2005.
ā
J. Griffiths. Notes and text translations for La Romanesca Monodies. Move Records, MD 3044, 2005 [expanded reissue of 1982]
ā
J. Griffiths, Notes for ValderrƔbano: Silva de sirenas. CD by Armoniosi Concerti, dir. Juan Carlos Rivera with Carlos Mena. Barcelona: Harmonia Mundi, 2005. Harmonia Mundi IbƩrica HMI 987059.
ā
J. Griffiths, Notes for Estevan DaƧa, El Parnasso. CD by El Cortesano (JosƩ HernƔndez Pastor and Ariel Abramovich). Nantes: Arcana, 2002. Arcana A316.
ā
J. Griffiths, āNunca mĆ”s verĆ”n mis ojosā Notes for CD of the same name by Alfred FernĆ”ndez (vihuela). Madrid: Enchiriadis, 2001. EN2004
ā
J. Griffiths. āValderrĆ”bano y los vihuelistas castellanosā. Booklet to accompany CD by Alfred FernĆ”ndez, ValderrĆ”bano y los vihuelistas castellanos. Barcelona: Unacorda, 2000. [UCR0012000]
ā
J. Griffiths, notes for La Romanesca, Via Frescobaldi Move Records MD 1999.
ā
J. Griffiths. āLa mĆŗsica profana en el siglo de oroā. Booklet for CD recording Ensemble La Romanesca, dir. JosĆ© Miguel Moreno. La MĆŗsica Profana en el Siglo de Oro. San Lorenzo de el Escorial (Madrid): Glossa, 1995.
ā
J. Griffiths. El DelfĆn de MĆŗsica: Obras de Luis de NarvĆ”ez: . Booklet for CD recording by Marta Almajano and Juan Carlos Ribera. Seville: Junta de AndalucĆa, 1995.
ā
J. Griffiths. āAl alva venidā Booklet for CD recording by Ensemble La Romanesca (Spain), directed J. M. Moreno. Madrid: Glossa, 1995.
ā
J. Stinson, J. Griffiths, G. Carsaniga. Every Delight and Fair Pleasure: The Music of Northern Italy. The Music of the Fourteenth Century, vol. 2. Booklet for CD recording. MD3092. Move Records, 1991.
ā
J. Stinson, J. Griffiths, G. Carsaniga. Two Gentlemen of Verona. The Music of the Fourteenth Century, vol. 1. Booklet for CD recording. Move Records, 1987.
ā
La Romanesca. Medieval Monodies. Sleeve notes and text translations by J. Griffiths. Move Records, MS3044, 1982.
ā
La Romanesca. Love Lyrics and Romances of Renaissance Spain. Sleeve notes and text translations by J. Griffiths. Move Records, MS3034,1980.
REVIEWS
ā
J. Griffiths. Review of Canto Llano: The Manuscript Sources for Vihuela/Viola da Mano, edited by Stephan Olbertz. Wuppertal: Lute & Guitar Editions Stephan Olbertz, 2015. Hispanica Lyra 24 (2018): 31-32
J. Griffiths, Review of āThe Evidence - El arte medieval de la pƩƱola. JosĆ© Luis Pastor, laĆŗd espaƱol, cĆtola, vihuela de pƩƱola, Ƨinfonia, laĆŗd italiano, guitarra medieval. Lindoro 3028 Ā© 2015ā. Hispanica Lyra, no 23 (2017): 35-36
ā
J. Griffiths, āLudovico Roncalli, Works for Guitar. Capricci Armonici, Bergamo 1692. Hideki Yamaya, baroque guitar". Mediolanum M005. Lute Society of America Quarterly 51.2 (Summer 2016): 34.
ā
J. Griffiths, āAdios mi amorāMusic for two vihuelas. Delitiae Musicae (Manuel MinguillĆ³n and JesĆŗs SĆ”nchez, vihuelas). Brilliant Classics 94302ā. Lute Society of America Quarterly 51.1 (Spring 2016): 37-38.
ā
J. Griffiths, āCulturas en contrapuntoā. (Review of D. R. M. Irving, Colonial counterpoint: Music in Early Modern Manila. New York: Oxford University Press, 2010ā). Revista de MusicologĆa, 36 (2013): 330-336.
ā
J. Griffiths. The Kingdoms of Castille [sic]: Spanish, Italian and Latin American Music of the 17th & 18th centuries. El Mundo, dir. Richard Savino. Sono Luminus DSL 92131. Lute Society of America Quarterly 46-4 (Winter, 2011): 54.
ā
J. Griffiths. De gusto muy delicado. MĆŗsica espanyola del segle XVIII per a guitarra de sis ordres. 18th Century Spanish Music for Six-Course Guitar. Thomas Schmitt, guitar. La mĆ de guido LMG2108. Lute Society of America Quarterly46-4 (Winter, 2011): 59.
ā
J. Griffiths. āFrancesco da Milano Opere per liuto dal manoscritto dal Castelfranco Veneto transcrizioni per chitarra, ediciĆ³n de Alberto Mesirca con notas al margen de Franco Pavan (Castelfranco Veneto: UnitĆ di ricerca della Parrocchia del Duomo di Castelfranco Veneto, 2010), and Francesco da Milano y otros, Intavolatura Manoscritta per liuto del Duomo di Castelfranco Veneto, ediciĆ³n de Franco Rossi, (Bologna: Arnaldo Forni Editore, 2012)ā. Hispanica Lyra 15 (June, 2012): 28-29.
ā
J. Griffiths, āMarten FĆ„lk & El Escorial : The Spanish Renaissance World of Miguel de Fuenllana (DB Productions 2010)ā. Hispanica lyra 15 (June, 2012): 29-31.
ā
J. Griffiths, āEl Cortesano: Si me llaman ā Diego Pisador, Salamanca, 1552 (Carpe Diem CD 16276 Ā© 2009)ā CD Review, Lute Society of America Quarterly 46.3 (Fall, 2011): 55-56.
ā
J. Griffiths. Review of Si me llamanā¦ Diego Pisador, Salamanca 1552 by El Cortesano (Carpe Diem 16276. 2009). Hispanica Lyra 10 (October, 2009)): 44-45. [136960]
ā
J. Griffiths, āLa flor en la colina: Chilean and Australian Composers Togetherā. Chile Magazine September 2009, 32-33. Reprinted in Resonate, Australian Music Centre, September 2009, http://www.australianmusiccentre.com.au/article/melbourne-composers-league (accessed 7 September, 2009).
ā
J. Griffiths, āCiencia y arte reunidos: Cifras Selectas para Guitarra ā Oscar Ohlsen y Eduardo Figueroaā. Resonancias 22 (May, 2008): 63-64. (Revista del Instituto de MĆŗsica, Pontificia Universidad CatĆ³lica de Chile)
ā
J. Griffiths. Review of El Cancionero de Uppsala, edited by Maricarmen GĆ³mez MuntanĆ©. 2 vols. Valencia: Biblioteca Valenciana, Generalitat Valenciana (Conselleria de Cultura i EducaciĆ³ - DirecciĆ³ General del Llibre, Arxius i Biblioteques), 2003. Musicology Australia 29 (2007): 186-189. [92246]
ā
J. Griffiths, āConference Report: āMĆŗsica y mĆŗsicos en instituciones eclesiĆ”sticas. AndalucĆa en la Edad Modernaā, Universidad Internacional de AndalucĆa (Baeza), 7-9 December 2006ā Seventeenth-Century Music (April, 2007) [93314]
ā
J. Griffiths. āFronimo de Vincenzo Galilei by Philippe Canguilhemā. Music and Letters 86 (2005): 464-66.
ā
J. Griffiths. āEl libro de mĆŗsica de vihuela de Diego Pisador (1552). Estudio y transcripciĆ³n, facsĆmil, transcripciones para guitarra, Francisco Roa y Felipe GertrĆŗdix. Madrid: Editorial PygmaliĆ³n, 2002.ā Revista de MusicologĆa 27 (2004): 1262-67 [published Oct. 2005]
ā
J. Griffiths. āOliver Schƶner, Die Vihuela de mano im Spanien des 16. Jahrhunderts. EuropƤsiche Hochschulenschriften, Reihe 36, Musikwissenschaft, Band 198. (Frankfurt am Main: Peter Lang, 1999)ā. Revista de MusicologĆa 23 (2000): 603-06.
ā
J. Griffiths. āLuis GĆ”sser, Luis MilĆ”n on Sixteenth-Century Performance Practice. (Bloomington & Indiana: Indiana University Press, 1996)ā Revista de MusicologĆa 21 (1998): 333-36.
ā
J. Griffiths. āJudith Etzion. The Cancionero de la Sablonara: A Critical Edition. (London: Tamesis Books, 1996)ā Musicology Australia 20 (1997): 109-110.
ā
J. Griffiths. āGuitar Music from Editions Orpheeā. Australian Music Teacher 6 nĀŗ 3 (1994): 456-59.
ā
J. Griffiths. āJohn Dowland: First Booke of Songes. Rogers Covey-Crump (tenor) and Jacob Lindberg (lute). BIS-CD-430ā. Australian Music Teacher (1992)
ā
J. Griffiths. āMĀŖ Carmen GĆ³mez MuntanĆ©: El Llibre Vermell de Montserrat: Cantos y Danzas, s. XIV. Papeles de Ensayo 5. San Cugat de VallĆ©s: Los libros de la Frontera, 1990ā. Revista de MusicologĆa 14 (1991): 661-62.
ā
J. Griffiths. āFranco de Colonia. Tratado de canto mensural. TraducciĆ³n, estudio preliminar y notas por Angel Medina. Ethos - mĆŗsica, Serie AcadĆ©mica, 1. Oviedo: Universidad de Oviedo, 1988ā. Revista de MusicologĆa 13 (1990): 660-62.
ā
J. Griffiths. āMcCutcheon, Meredith. Guitar and Vihuela: an annotated Bibliography. (New York: Pendragon Press, 1985)ā. Musicology Australia 10 (1987): 78-79.